A Magnificent French Design Art Binding by Robert Wu 2017




















George Babier's masterfully illustrated book "Fetes Galantes" was published in 1928 in Paris. It contains over twenty exquisite pochoir plates. The book is in large quarto format measuring 9" x 12" without the binding. I started this binding 3 years ago and have been working on it intermittently. It's my favorite and most lavish binding to date. This book is copy #974. The open covers measure 20" x 12".

The binding is bound in exquisite rare French cyclamen goatskin. The grey doublures are covered in French chagrin leather. The headbands are done in purple, fushia pink and lavender silk threads. The top edge is gilt in 22k double gold with gaufferings in purple and pink. The cover leather onlays utilize different techniques to create various textures, and gilding is done primarily in 22k gold and palladium for the plumage feather.  Standing squares of the boards are also gilt in 22k gold leaves. Inside doublure covers, two round eggshell panels are inlaid into the boards. I made the eggshell panels with special green eggshells and also added flakes of gold leaves (sunago). Flyleaves are lined with corkskins and my own hand marbled paper. Chemise and slipcases are also covered with my own marbled paper, lined with lavender suede, velvet and purple chagrin leather. Titlings on both the box and binding are all done in palladium leaves. Additional folding box is lined with vintage Japanese turquoise silk yuzen fabric and exterior covered in German linen. I hope I don't miss many other tiny details...

It's been a long journey since I started working on this binding of my own. I have huge admiration for George Barbier's illustrated books/drawings. So much thoughts, cost and labour and skills have gone into making this sumptuous binding. When I first saw the pochoirs in the book, a vision came to me. An image of the women with a fan in front of her face peeking through. It's a gift from above that I must fulfill and realize without changing a thing. Pictures are worth a thousand word. I hope to make a video for my own record soon.

















Marbled Flower paper by Robert Wu


An unique creation by Robert Wu. I discovered a new method to marble this unique floral effect through countless experiments. Theses floral papers are available for sale. Email me for wholesale / quantity pricing. 

robert@studioRobertWu.com
www.studioRobertWu.etsy.com

New Binding by Robert Wu June 2017








Natalie Goldberg's " Into This World ". Woodblock illustrations by Clare Dunne. Printed by Sialia Rieke, copy # 37 / 50, 2011.

This beautiful spiritual book is bound in full yellow chagrin leather in French technique. Decorated with various coloured/textured leather onlays. Tooling in foil and 18k gold. Handsewn silk headbands in brown, yellow and green. Inside marbled endpaper by the binder as well. Cork gold flyleaves. Housed in a pull apart solander case in Danish millimeter style, covered with German linen and edged with grey leather. The book measures 8" x 5 1/2" close.

New Binding by Robert Wu May 2017







Primeval Gods by Christopher Sandford. Illustrations by Blair Hughes Stanton. Printed 1934 at the Boar's Head Press. Copy no 84 / 150. Book measures 5 1/2" x 9". Bound in yellow leather with various coloured leather onlays and tooling in blind and colour. Marbled endpaper in yellow bouquet by the binder. Folding box covered in linen and lined with cork. The design is inspired by Stanton's beautiful Art Deco woodcuts in the book. I love how everything turns out.....it's available for sale through www.karolkrysikbooks.com

30 selections of my Marbled Graphics in The Metropolitan Museum of Art in NYC!

30 selections of my Marbled Graphics are ready to go into the permanent collection at The Metropolitan Museum of Art in New York City! I am feeling very happy.

New Binding by Robert Wu April 2017




Wanderings of an Artist by Paul Kane.  Designed and bound by Robert Wu for The Royal Ontario Museum, Canada.

New Binding by Robert Wu February 2017 for Paris Salon in Latin Quarter











" La Tete Or " by Morina Mongin. Designed and bound by Robert Wu, Toronto 2017. This binding is made for an upcoming exhibition at Laure and √Čric Busser's bookstore in the Latin Quarter in Paris from March 21th to 31th, and then at their booth at the Salon du Livre Rare au Grand Palais from 5 to 9 April 2017.

Morina Mongin is a Paris based fine binder who wrote this little poetry book about us the bookbinders/gilders...She is the creator of La Reliure Contemporaine and invited a small group of fine binders working in the great French tradition to bind this little book for the salon.

My inspirations for this binding are Japonisme and Chinoiserie - when the East (my heritage) meets the West. Stylistically, it's naturally fitting for me and very appropriate for this occasion as it is the first showing of my binding in Paris, France. I am thrilled to be part of it and was told that the show will be featured also in the French book magazine Art et Metiers du Livre!

The book measures 5" x 5" x 1/2" thick. It is bound in the French simplified style. The spine is covered with red goatskin and titled in gold. The headbands are made with yellow calfskin. The cover boards are covered in white goatskin with onlays of various decorative coloured leather. The inlaid eggshell panels are made by me as well and added with sunago (gold flecks). Inside marbled papers in red are hand marbled by me. The top edge is coloured in red and gauffered in gold. I decided to make a Chinese/Japanese style folding box with bone clasps. I love this type of traditional Chinese folding box because it reminds me of layering quality of kimonos and origami. It's covered with gorgeous Japanese silk/rayon fabric and lined with cork and gold flecked Japanese monigami paper. The overall folding box measures 5 1/2" x 5 1/2" x 1" thick. I am very happy with the way everything turned out. The designs were executed and composed right on the covers without using any template for this binding to keep the spontaneity and improvisation alive! It's more fun that way and I hope I have achieved design of timeless quality.